the chant: galloping monster with a cheeky bounce thats made all the more mega with the vocal energy.plz dont squeeze: pressurised squashed sound snippets tousle across the beats leaving the synths to breathe and soar. let this untamed tune free to expand across the club systems – and what ever you do, plz dont squeeze.nebulae: dream away on this interstellar cloud of soft vocals and floating grooves that moves you progressively towards dance heaven.

australian michael ozone, currently operating out of melbourne, is an artist embodying the purest form of absurdist energy. this debut offering, is but of a fraction of the entertainment we can expect as his career zig-zags forward. perfect systems is a tuff native track based on the idea of man-made tools, technology and borrowed languages. imagine failed cities overtaken by jungle life as youre swallowed by this utopian island groove. a not-so distant relative on side-b,hetrotopia leads us on a nomadic journey, exploring vast new landscapes and uncharted territories. references to new beat and horror soundtracks are apparent, but no matter what fantasies we infer from ozones music, his talent for crafting such fiction is a welcome addition to the esp institute.

the debut release of no slow house on deephouse berlin urges to dance and bursts with energy. 3 exclusive tracks written and produced by rekardo rivalo. his afro tech-house and culture tech-grooves bring summer to your heart. if you like passionate, daring, demanding and impulsive tech-house, dont miss it! feel it, dance it!

brouqade welcomes vid! the rumanian producer makes withe the release of the exquisite nouinceput. with a heavy dose of shakers revolving around summer rhythms, nouinceput brims withe the energy and hope of a balmy summer evening and the catchy voice samples are msterfully cratfed to perfection. a fully charged energizer. a76 blazes the way. drives and propels, relentless , e-ver onward- a voice arows... you are like. whistling, vids musical self portrait sounters around the corner. estevid is an organic track of extraordinary sound and a nonchalont air!

with the first single release of beijing rock, paul brcic (paul brtschitsch) brings a driving yet emotional production into the world of electronic sounds. an unmistakable, pulsating beat reminiscent of detroit-techno, smooth percussion, and a catchy bass line make up the songs foundation, immediately casting a bewitching spell and leaving no room for detours. carefully arranged samples from the 40s mould the centrepiece of the club bangers and move in perfect harmony with the full synth and fx sounds. without a doubt, paul brcic sets off a multifaceted sound explosion with a first look at the album beijing rock, scheduled for release in autumn 2012, always keeping one eye on production-technical details and the other on organic sound. beijing rock immediately invades the senses from the first measure, taking you along a journey outside of the clubs of this world and catapulting you just as quickly back to the sweat-inducing, wild nights. absolutely magnificent - paul brcic in his purest form. the b-side acid & camambert clatters as if on rails through the fields of sound and sets off one adrenaline rush after another with its clear basslines and consistently rising networks of beats. exquisite superstructures and effect dramaturgy breathe life into acid & camambert with an unbelievable energy and nearly acidic characteristics.

dark funk for dirty minds! three new and raw box tracks by paul du lac (bio rhythm), who seems to be pushing his minimalistic jackin sound palette even further. we have the fierce and autistic-tantristic dirtyness of tantra master, the dance mania flavoured funk of childs play, and the deep strings of the bassline-driven spaces below, a classic chicago-inspired piece of work that seems to come from deep within.punchy and excellent dj tools.lo-fidelity, hi-energy.

back with a renewed energy and purpose, latino-flavored rappers cypress hill climbed back into the ring for another round in the fight for hip-hop supremacy on iv, an album which is as much at home with ghetto street-kids as it is with california surfers.
with right hand man sen dog back in the fold, it completes the circle that b real and dj muggs once drew as one of the most influential groups in rap. with this fourth album, cypress hill managed to hit the #11 spot on the billboard album charts and it was certified gold.

as the range, james hinton has released previously on astro nautico, alongside other such rhythmic alchemists as obey city (now signed to lucky me), time wharp and howse (now signed to tri angle) as well as appearing on remix duties for kuhn on the london based civil music label. outside of this moniker he released >cower<, a full length under the alias stegosaurus, on his own sqwal recordings imprint.
operating out of providence ri, james hinton fuses snapshots of global electronic music into a heady brew of deep sub bass, rattling footwork drums, juiced up junglism and dirty south rap beats. here we present the five track >disk< release, bristling with frenetic energy, complex percussion and cerebral melodies – >disk< is as suitable for the home as it is for the club and marks the latest evolution of the range sound.

two tracks of the transhumans. hypnotic and intense techno. energy and rawness in birminghams way. experimental noisy ambient finish this release.

the third ep on visky recordings is brought to you by a fresh and talented upcoming producer, dj and music lover hailing from grodno in belarus. schmoltz has had a long-term affair with music which got him to collecting records and fiddling with music making software and hardware. growing up as a metalhead kid, he came the disco route and later to be mesmerized by the soulful powerful funky and electric sounds of donna summer, gloria gaynor, stars on 45 and whatever else was to be found in the piles of soviet melodiya records. schmoltz delivered three great jazzy, deep & soulful tracks for his debut 12 inch on czech based visky recordings. on top of that the b side offers a remix from ferrispark label head scott ferguson. scott gave to raindrops a totally different feel and energy in a way of his own.

a shuffling mix of acoustic guitar riffs, licks, natural percussion and of course razs well known melancholic vocal lines all come together to generate a country folk feeling of the 60s. a dampened kick drives the energy deep and harmonicas seep into our minds and set our soul on fire. a fresh track for a hot summer day on the lake. acid pauli takes the track and acidizes it by adding, yep, acid lines and a very direct kick. the track gains more of a main time vibe, heightened energy and deeper bass allow this track to hold its own in a variety of set styles. the final mix is an open air anthem delivered from the sorry entertainers m. rux and lotti. using percussion of the same natural flavor and incorporating dirty synth lines, the two produce a heavier mix worthy of both dancefloors and home listening.

spring 2012, in his dark analog moustache records homestudio downtown rotterdam city david vunk made his bowie ep. this energizing ep contains 3 various styled tracks for the dancefloor. on the this side the track forever always a stunning filter house tune with a vocal that goes on and on, a fat party break and rolling low kickdrums topped with some crazy hihat programming. deep deep deep! 45 rpm rolling. on the that side two tracks. a notorious full power hi energy nu-disco/electro track filled with evil strings, catchy melody, tr-808 drums and arp odyssey baseline madness called disco sysex. the b2 track called vroezenpark sounds like it comes straight from hell, a dusty techno track with berlin infleunces, tr-909 drums and a roland jupiter 8 synth. insane and paranoia style. this very limited pressing comes with luxury gatefold fullcolour sleeve, poster and hand numbered, limited copies.

inspired by the energy, the sunshine and the people on the white isle, olderic returns to bring the ibiza heat to area remote by going loco with the latino loop, letting it flow and widen across spicy rhythms and vocal melodies

making their vinyl debut – swings & roundabouts are taking a trip down nostalgia street with a sublime reworking of the classic todd terry & armando >100% of dissin u< track from 88.... widely considered as one of the standout releases from the chicago acid house scene, one of today’s heavyweight’s dj spen works his magic on the track, keeping in the feel & sounds of the original whilst using his trademark beats as the backdrop! alongside spens hump, the original version goes all out disco taking things in a different direction with bags of energy!

deep floors vol. 1 is the first installment of a various artists series, combining the dancefloor energy and the mental deepness of proper techno. volume 1 delivers 4 deep techno tracks by irelands lee holman, swedens pehr genlogue, italys roberto bosco and belgiums searle. sonically the release ranges from mental cerebral trips to deeper detroitish grooves. lee holman and roberto bosco deliver two hypnotic mindfuck tools while perh genlogue and searle dive more into deeper stripped techno.

vinyl only! enjoy! with successful releases on various labels like highgrade records and diynamic music, markus homm s remixes ep on unike musik, follows up with 4 re-touches of his latest work for the label. new york s mexican leo leal & guadalajara s own adrian garza team up for an international collaboration on homm s key frame. the duo s dripping acid inspired remix reverberates dark bass sounds and pops in filtered doses of dreamy pads on top of glimmering effects. &#8232,,,,,next the french legend, chris carrier, takes over remix duties for homm s keyframe signal, a soaring infusion of polished analog sounds and spunky tech percussion. the greek producer, turned londoner, alex celler, supplies a stunning rendition of take off, as bumping bass and tonal toms ignite this widely deep mover and shaker. 8bit s carlos sanchez polishes off the release with his take on what do they want, attracting fans of tougher sounds from the days of vinyl and stomping underground. &#8232,,,,,homm s dedication and impact has inspired a multi faceted ep with remixes that continue this notorious producer s legacy through a wide array of deep energy. &#8232,,,,,

the debut-album of kroman celik is definitely a must have in the record-bag of every serious techno-dj. 8 brilliant tracks full of dark and pumping energy make this album one of the true highlights of this year so far! this is techno made in italy at its very best!

killer techno!! gag reflex is one of those tracks that tears down the walls youll find yourself fist pumping to this one day at some obscure techno party! influences of early 90 s detroit techno all the way up to darkest & sweatiest corner in the berghain. gag reflex is a distorted throbbing stab heavy work out. the bottom end rolls along while the crashing hi hats juxtapose to create a sense of havoc. essential techno tool! on the flip angry dragon focuses its energy on the synth work. the overlaying 909 claps adds more aural pleasure rounding off the package in proper form. issued in limited hand stamped form - vinyl only!

qepo is back with a really cool release from the young talent gianluca luisi, 2 super energy tracks and on the b side a huge remix from neapolitan duo tony matt & sasha carassi..

steve bug drops a new outstanding 12inch on his own highly prolific poker flat recordings. those grooves is the perfect primer for his upcoming album (due out in autumn 2012), and sees the man in fine form - masterfully in control of his sound and producing tracks with a depth of dancefloor knowledge most other producers would die for. those grooves, the lead track locks into its exquisitely crafted groove early on, holding a taut balance between its individual elements. mid way through its 10 minutes, bug drops the tempo and lets the groove breath, before bringing it all back home - an audacious late night club weapon. the flip side is no less dramatic – tell me why creeps up, evolving slowing but surely – before an edgy, freaked out bass line drops over the crisp drums. a true peak time burner with enough energy and tension to smash any floor.

here it is, the follow up to pirahnheads nrtvnrg ep. the ngtvnrg ep (3eep-109) brilliantly channelled pent-up negitive energy into killer dance tracks, so the sxulnrg ep brilliantly channels sexual energy into killer grooves and words. over two pirahnahead grooves, first goddesstephanie and then mona bode deliver meditations on sex, music and dancing.

energy loaded raw techno anthems. kawl them bombs! next installment of the killer kawl series by lee holman brings four menacing tracks of dark edgytechno. kawl 4.0 opens the ep with a looping percussion piece which builds and builds with concussive intent. 4.1 continues with a solid groove, rasping synth stabs and a grotty industrial technoid bassline to devestating effect. kawl 4.2 takes a different route and rhythmically changes direction back and forth, intensifying with precision as the track meanders through to conclusion. the final track of the ep is 4.3, a deeper affair with bursts of white noise, a murky bassline and an emotive hypnotic lead line captivating its way to stunning completion.

full pupp helps another new outfit into the saddle. even though esteemed norwegian dj ole martin vilberg aka omar v and robin craaford, one half of dance disorder with baby g (bpitch, eskimo) are hardly young guns, they gang up together for the first time on complete: a blinding cut that harks back to the time with good ol jack was still the young buck and closely associated with uncle electro funk: tough beats, hyperactive claps, a jittering bass and a catchy, squeaking melody are still rattling bones if masterfully pieced together as it is done here. the guy most closely related to the italo sound out of the whole norwegian disco bunch chucks the more intricate original rhythm but goes hypertechnicolor and widescreen on the synth parts boosting up the originals melody, throwing in a nod to happy station and a hi-energy bassline.

as one half of the iconic house music duo h foundation and a revered producer and dj in his own right, halo needs no introduction. his surface imprint promises to deliver deep electronic music that retains a classic feel and its maiden release is just that. marascos >cloudy< is heavy set house music with an irresistible hypnotic quality. a rock steady bottom end drives the drum track as percussive elements and tribalesque vocals drop in and out of the mix. highly functional dancefloor material. on remix duties the legendary dj sneak adds his trademark infectious energy to proceedings, inserting a funky basssline and jackin percussion to great effect. halos surface remix showcases his production prowess with heavy processing on the vocals and percussion resulting in an organic rolling tech house work-out. rounding off the ep danilo vigorito provides a brooding tech house take on >cloudy< that will cater for the more discerning floors. surface begins as it means to go on.

2012 repress !!! patrik skoog kak agaric isnt only one of the youngest veteran tech­no and house producers from sweden, he is also one of the most interesting and inspired. though incredibly versatile, the sustained energy in his sets and productions are equally exceptional. in the last two years, agaric established the club tracks 10 inch series on his label we are. besides his own stellar productions, collaborations with close friends shonky, waker bernard, ed davenport, and beaner have also graced the club tracks series. international support came from leading djs like richie hawtin, seth troxler, loco dice, ben klock, luciano, joris voorn, magda, laurent garnier, sven väth, and adam beyer.

bonar bradberry is a name you wont forget in a hurry. one of the new breed who marry the snappy energy of house with the weight of disco beats, his productions have recently piqued the interest of andrew weatherall among others.

when the house music phenomenon was beginning, chicago djs like ron hardy and new yorkers such as frankie knuckles and larry levan would edit records for their own purposes, removing the parts they felt to be superfluous, concentrating instead on extending grooves and hooks, often adding their own basic synth lines and toughening up the percussion with what have now become classic synthesizers and drum machines. warehouse classics vol.1 holds 4 killer tracks going from obscure disco to new wave, first popularised at the music box and rarely heard anywhere else. sir leon greg (another incarnation of perseus traxx) jams out then reinforces some edits of forgotten classics with a raw & personal analogue treatment for a devastating full effect on the dance floor, that is a far cry from the proliferation of over-produced squeaky-clean software edits. these are basic, raw ideas thrown down quickly and capturing the energy on 1/4 inch tape before moving on to the next set of sounds. musically, its as delightfully funky and uncomplicated as youd expect, a mesh of disco tracks and heavy, effect laden, machine-funk. essential item!!

sleep ds bacon ep is the next offering from sydneys excellent death strobe imprint. sleep d are a couple of young cats from melbourne, the production duo are sure to be an integral part of the deep house explosion coming from their city, spearheaded by the likes of tornado wallace, fantastic man and the melbourne deepcast crew. the record has a range of flavours all tied together by a fundamental warmth and soulfulness. the title track flows and floats in a dreamlike state, whilst simultaneously nailing the groove from beat one. bubbles vs the cat takes it up a notch, entering the club realm with rich bass and tight rhythms. their remix of chet fakers love & feeling is certain to give any dance floor a collective orgasm, oozing an erotic strangeness as it heaves and thrusts away, while ischa has a tickle of techno thrown into the mix and, despite its druggy sedation, has a hidden energy for dancing feet. one limited pressing.

a freshly minted london label, clueplants mission is to push twisted, imaginative techno with a raw analogue energy and a futuristic approach to sound design.the first release showcases a balance of two distinctly individual and intoxicating tunes which have seen enthusiastic reception on the dancefloor and radio while doing the rounds as dubplates. the a side hosts a powerful chunk of modern techno energetically played live and is the first release from london producer 12&bit, a perverse hardware purist whose vinyl and live sets have thumped out at teknivals aross europe and seen over 2 million downloads of his played-live techno through the open-source audio globular music library. on the b side the perversity is taken a step further by the infamous bulgarian electro deviant, manasyt. following 11 years of quality vinyl output on prolific labels such as kommando 6, touchin bass and bunker, the balaclava-clad nomad manasyt has set up his studio in the techno capitals of the world, berlin, london and detroit, and is now in china pumping out his trademark brutal and forward-thinking industrial techno for clueplant

this is the debut vinyl release from up & coming producer jim morton. the 12 inch presents two different flavours of the jungle sound. the a side is nyc-dub, a heavy duty track with plenty of pace and energy. an atmospheric vibe is present but the production still carries enough weight with the beats and sub to work the dance floor. think ray keith meets breakage!
on side b, >underwater chord< is again a jungle bass tune but on a different vibe. it is a brighter sounding track, due to the chords and sounds used, which wouldnt be out of place in a liquid style production. with both tracks there is a tip of the cap towards the old skool sound.

the byrds were one of the earliest groups who could combine the best of two worlds. they caught on to the energy of the british invasion and combined it with the lyricism & musical elements of the contemporary folk movement.
along the way they pioneered psychedelic and country rock, always keeping things recognizable with their vocal harmonies accompanied by their jangly guitars.
on their third album >fifth dimension< from 1966 they started showing a more lsd-tinged side of themselves with the psychedelic rock of songs such as >eight miles high< and >i see you< and a preference for the indian raga.
one of their most pioneering albums re-issued on 180 grams audiophile vinyl!

supported by:jamie jones, benoit&sergio, ellen allien, groove armada, maya jane coles, catz n dogz, ben westbeech, sinden, dop, till von sein, deetron, marcin czubala, t.williams and others your mamas friend is back again to tempt us with the forbidden fruit of sleazy beats and warm rounded baselines. to date its been a fully polish affair, with viadrina and chmara winter joining label boss marcin czubala in providing the goods. today its another debutant, but this time were leaving the labels homeland as we head to the uk to meet a star on the rise, resketch.ste burnetts diverse musical range in both his dj sets and productions,find him falling somewhere within the swampy bass realm of house, garage and disco. his own productions have been described as having a unique and infectious energy thats driven by a bouncing sub-bass. a perfect fit for your mamas friend wouldnt you say? the no district label chief delivers a trio of treats in the form of his bound in binary ep

second in a series of releases based on capturing the energy and culture of uk pirate radio but going way beyond that as the project unwinds. limited press. the eagle-eyed amongst you may have spotted which celebrated producer is behind this excellent, killer two-tracker - he has had releases out on planet e, hot flush and phonica too!

part 2/3! deep house – uh killer?! dear gorge just like we know him. hardly anyone puts so much energy into a yet so low key appearing track and this is what we love him for. gorge was a history witness for our biggest light installation and the most oppulent feast, as is his right. certified ass-shaking tune with a joyous organ going hand in hand with a female vocal. there is no more to say about this track as it speaks for itself. reminiscing igors 10 minute intro in combat gear at the treibgut deluxe. some push did jonas put into this few minute collaboration track with mz sunday luv. it has to be loud, it has to run – it has to take its place on this compilation. homebased in frankfurt jonas was so fond of hannover at a time that he almost moved north. but we could not afford the hotel room for such a long time. deep house making you get rid of your jacket and shake your hips together. get yourself a drink at the bar and head for the dancefloor. nicely smooth this track is driving you into the night. the only night we actually had champagne and still could all make it to the train to hamburg in the morning.

the german band the audience was founded in 2003 in nürnberg and released their first album >celluloid< on the cult independent-label hazelwood in 2007. soon after the five-piece was signed by one of the biggest german booking agencies fkp-scorpio, which sent them on tour throughout europe where they proofed to be one of germanys most incredible and exciting live acts. their current album >hearts< was recorded in a big music hall over the period of one year. the aim was to catch both energy and emotions of an authentic live-on-stage situation. the recordings document the audiences most intense, dynamic and sophisticated moments, without losing their very own feeling for catchy melodies.

cut mistake music was conceived somewhere between the day dream induced soundscapes of my bloody valentines loveless on the western seaboard of ireland and the haze filled manic energy of new york city dance floors. loosely associated with a collective of new york based musicians our aim is true and our message clear, we want to bring our landscapes to the ears of those who are willing to listen. this first release comes from the hearts & minds of the label founder cnnr (connor whiriskey) and good friends no regular play (nicholas debruyn & greg paulus).

foul & sunk, the swiss-german house-imprint based in freiburg and zurich, rings the bells for round 4 with the eriswil ep by jagged, a spunky release that blushes your cheeks like a strong sip of bernese apple brandy. and bern is the code word that sheds light on the origin of jagged: behind the name hide three veterans of the swiss house music scene - the djs and producers benfay, jay sanders and zukie173, who emerge from the vicinity of the now discontinued freestyle label a few among others, whose founder was zukie173. as jagged, they are releasing house music built upon hard-hitting drums, sinister bass lines and soul-drenched instrumentation for over four years by now. they debuted on quintessentials with hello kool nice in 2008, and didnt lose their gritty energy since then. now, theyre back on foul & sunk with eriswil, a deep rolling, dark monster that also gets a remix-treatment by the abstract eye

the first release of fottute registrazioni (marcello napoletanos label) is based on freedom, especially after release of a member of i.f.m. fran mela. after being locked up for some law bullshit, fran came out with an anger and strength, so as to be transmitted to another i.f.m. member, marcello napoletano, this blend of anger and strength derived from it this ep mini-album. in this record you can feel the anger and the power , the resistance, the freeform lifestyle and analog machines...desire for freedom, desire to fight and resist, desire for free expression, desire to rush the anger and the energy stored.

with negenuntwintig 3 companions will bring wonderful detroitish heralds of spring into the ostwind house. josh, e3 and ataneus, each of them in their very own way, are spreading so much warmth and energy, that even those who are deeply in love with winter will reach for their sound.. let the spring begin!

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

special request is a new, hand-stamped series dedicated to capturing the energy of uk pirate radio, while pushing the boundaries of modern dancefloor music. the first special request 12inch features two absolute monster tracks from a legendary uk producer that has got planet e, hot flush and phonica records all on his cv. the ep opens with the >warehouse mix < of >lolita<– a menacing, eight minute long techno-meets-bass stomper that kicks off stripped down drum pattern – claps, hi-hat and a rubbery kick drum – that slowly gives way to an insistent riff that drills itself into your head and categorically refuses to leave. on the flip >alone< is a completely different beast, complete with breakbeats a plenty

2012 is the time for john lord fonda to come back to the light, starting with a huge techno ep >bang the fire!<, including two original tracks bang and >heaven s on fire< both with a minimal techno imprint. this new release is the first extract from his forthcoming album, scheduled for 2012.
>bang< open the tracklisting, a classic john lord fonda track, energetic like always as even if he takes time, he drives us in the end in huge orgasmic breaks, quite intensive…,. then we continue with a kazyo (from teenage bad girl) remix that delivers a dancefloor epileptic killer version. electric rescue is fascinated by the energy of techno music, so he did a very minimal but powerful version.

ly sander & michael j. collins join forces to bring you raoul06 via raoul, a deep, soothing ep. no response is a laid back and haunting piece, featuring warm bass and soaring pads. percussion is kept simple here, with the focus on the bass groove and introspective wording. home listening and chill out sessions arent complete without this air-y number. to bring it up a bit, the >deep space orchestra remix< lays a beat and a groove under the track and takes us to galactic depths. a cool energy is spread throughout and saucy percussion takes the levels higher. this is a late night dance track that gives goose bumps. it will certainly help to reconnect senses in the early morning. >russian roulette< displays nice use of delay and relaxed percussion. this hasnt got the boom of techno, but it does have the space-y synths and ambience to bring you up to your feet. when everything is in place, it feels right an afterparty delight.

the nyc edit master kon (from kon & amir) has, after a bunch of hyped reworks on hands of time, bbe and on track delivered basic fingers a 12 inch with two killer disco reworks. we start with windy city >chicago<, a fierce disco edit that kon twisted just the right way! its playful and soulful disco at its very best. but the highlight of the release is possibly hidden on the flip. here we get a +10 min uplifting disco rework of sylvesters high energy hit >mighty real< which now sounds way fresher (and better) than the original if you ask us. yes, we are talkin real dance music on basic fingers ... a label with the goods!

no comment is a platform focused on sharing channeled auditive and synaesthetic/ multi sensory perceptions. the concept was conceived to help the energy levels rise towards the transcendence of spacetime, entering the multiverse. the message is in the music, this is your last call. decode to be illuminated!

white hills newest and most energized recording to date is bursting with raw energy packed into their most concise songs to date. fear not long time white hills fans, there is still loads of killer guitar work and fuzzed out psychedelia on frying on this rock.

feted kosmische synthesizer wizards from cleveland oh, emeralds, have never had any of their music remixed before. let alone having the title track from their acclaimed 2010 album reworked (twice) into a floor-filling behemoth by daphni (aka dan snaith aka caribou). >we toured together in 2010 and since then ie always wanted to play their music in my dj sets. so i did my own version of this track<, says snaith. >is one of those tracks that whenever i play it i can feel the energy in the room lift.< luckily emeralds were equally enthusiastic and so this unlikely hybrid see the light of day. …or rather the dark inside of a club.

reset robot returns to truesoul with another four-track ep of smoldering rhythms and wonky deepness that can be categorized as belonging somewhere between techno and tech house. the product of an extended period of a&r ping-pong, the result is a collection of tracks that has to a great extent tailored the natural range of reset robots sound to the requirements of beyers vision for truesoul. mechanical but groovy, moody but danceable, all four tracks have the subtle energy and intricate details required to move the floor whether it be as part of a tone-setting opening set or late on at the after-hour

shockwave has the demonic stabs of t99 – anasthasia and the energy of human resource – dominator with the familiar energy flash call to the masses of ecstacy, ecstacy